Whole is referring to a Whole Tone and Half is half a Tone, which is better known as a semitone. applies even if you are starting a phrase on something other than the root of the chord? For other types of scale formulas refer to the SCALE FORMULAS page. So, every major third will have the same augmented scale : C , E , and Ab are the same augmented scale, as are Db , F , and A , as are D , F# , B , and finally Eb , G , and B are also the same scale. This scale is primarily used in jazz music and works well together with alternate seventh chords. Scale - Diminished 1,2,b3,4,b5,b6,6,7 1-th pattern Root note - F Guitar Tuning: Standard - E-A-D-G-B-E In major keys, the diminished chord is built off the 7th degree of the major scale. Diminished Chord Formula: 1-♭3-♭5 10 Best Acoustic Guitar Under 200 Dollars, 8 Most Important Guitar Chords for Beginners, The 5 Pentatonic Scale Shapes You Must Know, Top 6 Best Guitar Amps for Practice and Small Gigs, The Two Most Important Scales in Western Music, Building Scales Using The Whole Half Step Formula, How to Play The Major Scale Guitar Guide for Beginners and Intermediate, Top 10 Best Electric Guitars s under 300 Dollars, 10 Ways to Play Beautiful Open Chord Shapes. So if you see a chord symbol such as G13(b9), it matches the diminished scale perfectly. Example 3 makes use of the guitar’s middle strings, with the root note played on the open A string. However, this gets to be to confusing with a bb7 and b8, so enharmonic intervals are used to make it easier. Before print or download please save it first. The diminished scale is built with a direct formula of whole and half steps repeated one after the other. The scale formula for the diminished scale easy to remember, just tone then semitone repeat! It's usually not used when there's a #5 / b13. Combine two fully diminished 7th chords a whole step apart, for example, combine C(dim. Before print or download please save it first. The first, or root note (scale degree) is the A, the third the C♯ and the fifth note is the E. This means the individual notes that make up an A major chord are A, C♯ and E. Minor chords on the other hand, also reference the major scale but instead use the chord formula: 1, ♭3 and 5. Whole is referring to a Whole Tone and Half is half a Tone, which is better known as a semitone. It is a symmetrical scale in that it follows a distinct pattern of steps, those being half step, whole step in a repeating pattern, not to be confused with the diminished scale which follows a whole step, half step pattern. In this lesson we will begin to study the first mode of the diminished scale. In major keys, the diminished chord is built off the 7th degree of the major scale. The A diminished chord is produced by taking the 1 (root), b3 and b5 of the A Major scale. Thanks for the added explanation. Whole is referring to a Whole Tone and Half is half a Tone, which is better known as a semitone. If you don’t believe me, try building diminished scales yourself and see how many unique scales you can generate before you wind up with a scale with the exact same pitches as the one you started on, just played in a different order. The diminished scale is a special scale that accompanies a fully diminished 7th chord. You suggest this brings out "good" notes on the beat, but in the ascending diminished scale example you emphasize the exact opposite notes of those emphasized in the descending diminished scale?! The formula describes the interval distances … Your email address will not be published. )7: Also, be aware that the diminished scale is sometimes called the “octatonic” scale because it has 8 notes (“octa” = 8, “tonic” = tones), as opposed to other scales like the diatonic modes (or church modes) which have 7 notes or pentatonic scales which have 5 notes. It’s formula follows an alternating pattern of whole steps and half steps—whole, half, whole, half—that repeats up to the octave root note, as illustrated in Recap of my chords and scales for guitar. 10. It displayed countless chords alongside scales that corresponded to them and connected dominant seventh chords with the double diminished scale. It's known as a Half Whole when played over Dominant chords. You can buy this theoretical argument or not, but I chose to stick with this theoretical viewpoint, and that's why I explained it the way I did. 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